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🔗 Professional sound production 🔗 Record Production 🔗 The Beatles 🔗 Pop music

The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as "the Wrecking Crew". The intention was to exploit the possibilities of studio recording to create an unusually dense orchestral aesthetic that came across well through radios and jukeboxes of the era. Spector explained in 1964: "I was looking for a sound, a sound so strong that if the material was not the greatest, the sound would carry the record. It was a case of augmenting, augmenting. It all fit together like a jigsaw."

A popular misconception holds that the Wall of Sound was created simply through a maximum of noise and distortion, but the method was actually more nuanced. To attain the Wall of Sound, Spector's arrangements called for large ensembles (including some instruments not generally used for ensemble playing, such as electric and acoustic guitars), with multiple instruments doubling or tripling many of the parts to create a fuller, richer tone. For example, Spector often duplicated a part played by an acoustic piano with an electric piano and a harpsichord. Mixed well enough, the three instruments would then be indistinguishable to the listener.

Among other features of the sound, Spector incorporated an array of orchestral instruments (strings, woodwind, brass and percussion) not previously associated with youth-oriented pop music. Reverb from an echo chamber was also highlighted for additional texture. He characterized his methods as "a Wagnerian approach to rock & roll: little symphonies for the kids". The combination of large ensembles with reverberation effects also increased the average audio power in a way that resembles compression. By 1979, the use of compression had become common on the radio, marking the trend that led to the loudness war in the 1980s.

The intricacies of the technique were unprecedented in the field of sound production for popular music. According to Beach Boys leader Brian Wilson, who used the formula extensively: "In the '40s and '50s, arrangements were considered 'OK here, listen to that French horn' or 'listen to this string section now.' It was all a definite sound. There weren't combinations of sound and, with the advent of Phil Spector, we find sound combinations, which—scientifically speaking—is a brilliant aspect of sound production."

🔗 Biography 🔗 Women 🔗 Biography/Actors and Filmmakers 🔗 Biography/Musicians 🔗 Iceland 🔗 Pop music 🔗 Alternative music 🔗 Women in Music 🔗 Björk

Björk Guðmundsdóttir ( BYURK, Icelandic: [pjœr̥k ˈkvʏðmʏntsˌtouhtɪr̥] ; born 21 November 1965), known mononymously as Björk, is an Icelandic singer, songwriter, composer, record producer, and actress. Noted for her distinct voice, three-octave vocal range, and eccentric public persona, she has developed an eclectic musical style over a career spanning five decades, drawing on electronica, pop, dance, trip hop, jazz, and avant-garde music. She is regarded as one of the most influential musicians of her era.

Born and raised in Reykjavík, Björk began her music career at the age of 11 and gained international recognition as the lead singer of the alternative rock band the Sugarcubes by the age of 21. After the Sugarcubes disbanded in 1992, Björk gained prominence as a solo artist with her albums Debut (1993), Post (1995), and Homogenic (1997), which blended electronic, pop, and avant-garde music and achieved significant critical success. Her later albums saw further experimentation, including the glitch-influenced Vespertine (2001), a cappella album Medúlla (2004), pop-focused Volta (2007), and Biophilia (2011), an interactive album with an accompanying iPad app. Following the death of her longtime co-producer Mark Bell, she collaborated with Venezuelan artist Arca on her albums Vulnicura (2015) and Utopia (2017), while Fossora (2022) marked her first venture as a sole producer.

With sales of over 40 million records worldwide, Björk is one of the best-selling alternative artists of all time. Several of her albums have reached the top 20 on the US Billboard 200 chart. Thirty-one of her singles have reached the top 40 on pop charts around the world, with 22 top 40 hits in the UK, including the top-10 singles "It's Oh So Quiet", "Army of Me", and "Hyperballad" and the top-20 singles "Play Dead", "Big Time Sensuality", and "Violently Happy". Her accolades and awards include the Order of the Falcon, five BRIT Awards, and 16 Grammy nominations (including nine in the Best Alternative Music Album category, the most of any artist). In 2015, Time named her one of the 100 most influential people in the world. Rolling Stone named her the 64th-greatest singer and the 81st-greatest songwriter of all time in 2023.

Björk starred in the 2000 Lars von Trier film Dancer in the Dark, for which she won the Best Actress Award at the 2000 Cannes Film Festival, and was nominated for the Academy Award for Best Original Song for "I've Seen It All". Björk has also been an advocate for environmental causes in Iceland. A retrospective exhibition dedicated to Björk was held at New York's Museum of Modern Art in 2015.